I DO NOT COME TO YOU BY CHANCE by ADAOBI 'TRICIA NWAUBANI
Needless to say, I have had more time on my hands of recent (no thanks to schools being shut till further notice cos of COVID). This has inadvertently led to me reading more than I normally would. At this point in my undying love for books, I’m consciously exploring a wider range of genres. And I find it worth mentioning that I have been making a conscious effort looking out for other Nigerian authors aside the well-known names.
Normally, I wait days—if not weeks—to decide if I intend to review a book. As you might suspect, not every book makes it to the blog for a variety of reasons including the aforementioned. For this book though, I found myself making mental notes for a review as I read. I eventually penned this review barely two days after completion (talk about making an impression).
OVERVIEW
I do not come to you by chance by Adaobi ‘Tricia Nwaubani is set some time in the early 2000s. My lack of sufficient political history makes it difficult to pinpoint the years, but I digress. The story primarily revolves around the life of Kingsley Ibe, a 25-year old Chemical engineering graduate. He struggles with ill-luck in the labor market regardless being well-qualified for the jobs.
After multiple rejections from his dream job, things begin to fall apart back at home, pushing him to consider altering his career path and eventually shifting his moral grounds. The rest of the book find Kingsley ‘thriving’ at what he initially didn’t consider an option. His coming into money ends up putting a distance between himself and his mother, while also affecting a handful of long-time relationships.
MY THOUGHTS
I do not come to you by chance is likely to spark some ideas of what the book covers prior to starting. For me, I sure didn’t expect what the book turned out to be. But still, the title is very well suited to the overall weight of the book.
Nwaubani takes on the commercialization and somewhat normalization of 419 (advance fee fraud) with this book. Regardless the heft of the message, she still manages to infuse humor without altering the core of the story.
I found the build up appealing. I didn’t have to wait so long for things to begin to unravel neither were things rushed. Not to talk of the concise chapters that gingered me to keep flipping. Story-wise, it explores the struggle and responsibilities of all kind on the shoulders of a firstborn, the roles of values and morals in family life, the unfair nature of the Nigerian labour market plus, the need to have connections even when your qualifications are beyond okay.
I appreciate Nwaubani’s input of wit alongside her deft use of expression to drive home points she had to make. The role played by Augustina, even while being a supporting character sure did well for this story.
In all, it is one read I recommend for somehow being able to be both heavy and light at the same time. It explores a variety of themes including: family, adulthood, politics, love and even death amongst other. It sure was worthwhile, hinting at the fact that we remain our parents’ children regardless how much we grow, the role of values and the fact that it is better late than never to turn a new leaf.
Normally, I wait days—if not weeks—to decide if I intend to review a book. As you might suspect, not every book makes it to the blog for a variety of reasons including the aforementioned. For this book though, I found myself making mental notes for a review as I read. I eventually penned this review barely two days after completion (talk about making an impression).
OVERVIEW
After multiple rejections from his dream job, things begin to fall apart back at home, pushing him to consider altering his career path and eventually shifting his moral grounds. The rest of the book find Kingsley ‘thriving’ at what he initially didn’t consider an option. His coming into money ends up putting a distance between himself and his mother, while also affecting a handful of long-time relationships.
MY THOUGHTS
I do not come to you by chance is likely to spark some ideas of what the book covers prior to starting. For me, I sure didn’t expect what the book turned out to be. But still, the title is very well suited to the overall weight of the book.
Nwaubani takes on the commercialization and somewhat normalization of 419 (advance fee fraud) with this book. Regardless the heft of the message, she still manages to infuse humor without altering the core of the story.
I found the build up appealing. I didn’t have to wait so long for things to begin to unravel neither were things rushed. Not to talk of the concise chapters that gingered me to keep flipping. Story-wise, it explores the struggle and responsibilities of all kind on the shoulders of a firstborn, the roles of values and morals in family life, the unfair nature of the Nigerian labour market plus, the need to have connections even when your qualifications are beyond okay.
I appreciate Nwaubani’s input of wit alongside her deft use of expression to drive home points she had to make. The role played by Augustina, even while being a supporting character sure did well for this story.
In all, it is one read I recommend for somehow being able to be both heavy and light at the same time. It explores a variety of themes including: family, adulthood, politics, love and even death amongst other. It sure was worthwhile, hinting at the fact that we remain our parents’ children regardless how much we grow, the role of values and the fact that it is better late than never to turn a new leaf.
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